That’s what we wanted: Michael back in Ithaca, just as Odysseus went back to Ithaca, to confront that very powerful suitor. The main antagonist in The Odyssey, it turns out, are the suitors who were after Penelope. How did that story guide you in terms of the ending? You have talked about how structurally, a lot of this season is inspired by The Odyssey. In other words, the idea of getting Michael to smile in the end and walk away with him happy … that wasn’t necessarily the endgame. The intention for this season was to just really kill it for nine episodes, walk away and then should conversations ever develop again about doing another season, we would consider that, and then in turn create another self-standing season.
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Like any great feature film - like an Indiana Jones or something - the movie itself is self-contained, but if there’s going to be a sequel, that can be its own self-contained thing afterwards. Mostly, the goal was to tell a rip-roaring and close-ended tale with a ton of action, a ton of emotion and a ton of twists, filled with some brain-bending strategy. Here’s everything else Scheuring has to say about the Prison Break finale, including the return to the show’s Fox River roots, the dark direction for T-Bag (Robert Knepper) and the decision to kill the main antagonist Jacob Ness (Mark Feuerstein) offscreen. As he puts it: “There’s a zero percent chance of the show coming back if we don’t have a top-notch story.” Despite envisioning the fifth season as a closed-ended story, Prison Break creator Paul Scheuring has started coming around to the idea that there may be another breakout in the future - just don’t expect it any time soon, and don’t expect it at all if Scheuring and his team can’t come up with the right idea.
Indeed, Miller isn’t the only one wondering if there are more stories to tell about Michael Scofield.
If there are new stories to tell, we could probably start there: with Michael’s not-so-smooth re-entry into civilian life.” I think there’d be paranoia, insomnia, anxiety … maybe a lingering taste for darker things, illegal things. He’s reunited with his loved ones, but I think he would be haunted for a long time. “He’s been living a nightmare, for years, and now he’s back - back from the dead. “Prison Break” is at its best when it’s an escapist jaunt graced with a few characters and relationships with energy and texture, but the drama finds it quite difficult to establish that groove this time out.“Michael’s home, but I don’t know if he’s at peace,” Wentworth Miller told The Hollywood Reporter about the season finale. But this new incarnation doesn’t make those mysteries as tantalizing as they need to be to overlook its reliance on unfortunate stereotypes, an often unpleasant atmosphere, and unexceptional plot turns. There are apparently reasons that Scofield - who was presumed dead at the end of “Prison Break’s” first run - is alive and wound up in a prison halfway around the world. C-Note (Rockmond Dunbar) and Sucre (Amaury Nolasco) are around, too, but they don’t get much of note to do in the first three hours. He distracts from some of the aspects of the new season that don’t make much sense (for example, Lincoln seems to be more or less broke, but somehow he finds the endless source of money that he needs to fund the Yemen operation). They continue to bring just the right approaches to their scene-stealing characters, and Knepper in particular is a treat every time he turns up.
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The best thing about the new series are colorful performances from Knepper and Adelstein, who play T-Bag and the slimy Paul Kellerman, respectively.
The array of cartoonish and problematic Middle Eastern characters weigh down “Prison Break” and don’t help its attempts to create crisp forward movement. At one point, a woman who’s helping Lincoln is assaulted by an ISIL terrorist - and that’s after the man has menaced and beaten her. Scofield’s brother, Lincoln Burrows (Purcell), the more rough-and-tumble of the siblings, naturally ends up trying to free his brother, and his storylines end up being even more dark. But Michael’s mysterious backstory is kept murky, and despite the fact that Miller gives his usually charismatically contained performance, it’s difficult to work up a lot of interest in why he’s there and who he’s with. The change of venue might have been worth it if any of the new characters were memorable or at least diverting, or if there were compelling reasons for Michael Scofield (Miller) to be there. For reasons that don’t add to the narrative - and in a number of ways, end up detracting from it - much of the action surrounding this year’s attempt to bust out of jail is set in Yemen, in an institution so dank and depressing that it makes the brothers’ previous prison look like a high-end spa.
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